The power of musical software is´t unTlimited.
The music could be transformed very easy
whit the musical software.
There are to mouch musical software on the
market, but You can to have the that is the best
for your porpuse
Monday, October 5, 2009
Sunday, August 5, 2007
Learn the Art of Remixing with New Pro Tools Accelerated Videos
Whether you’re new to Pro Tools® or looking for some great remix tips, you can get a complete tutorial on remixing music in our latest Pro Tools Accelerated videos series, “Remixing with Pro Tools.” This new series is comprised of 10 videos that walk you through the entire music remixing process — from laying down the rhythmic foundation to adding the final touches — and features the hit song “Prepare for the Fight” by The Lovemakers (who also happen to be Pro Tools users) in the various mix stages.
Part 1: Building the Rhythm Bed — With just a guitar part and vocal track to start with, learn how to create the rhythm tracks using Strike™ and Xpand!™.
Part 2: Further Developing the Rhythm — Learn how to incorporate samples into your mix using Digidesign® Structure™, build new rhythm tracks, and quantize them to perfection.
Part 3: Working with REX Files — Using Structure, find out how to audition and load REX files and create your own unique instrument from multiple files.
Part 4: Adding Bass and Pad — Add the bottom end and some texture to the mix by learning how to use Hybrid™ to lay down bass parts and a synthesizer pad.
Part 5: Creating a Vocal Stutter — Learn to add character to a vocal line by creating a stutter using Structure and a bit of editing finesse.
Part 6: Developing Backing Vocals — To support the vocal track, find out how to easily develop backing vocal parts using Structure.
Part 7: Adding Electric Pianos — Explore more creative avenues by learning how to add a new electric piano part using Velvet™, plus see how to use Pro Tools for real-time editing on the fly.
Part 8: Creating Arpeggios — Using Xpand!, find out how to create a three-part arpeggiated patch using synths and a string pad, and then extend the loops to generate the parts.
Part 9: Tuning the Vocals — Find out how to make an existing vocal track work with your remix by retuning the vocal using the Time Shift plug-in.
Part 10: Adding the Final Touches — Fine-tune your mix by learning how to un-group a region group, add new parts, and quantize sections.
Are You Ready for bigining? Into here
Part 1: Building the Rhythm Bed — With just a guitar part and vocal track to start with, learn how to create the rhythm tracks using Strike™ and Xpand!™.
Part 2: Further Developing the Rhythm — Learn how to incorporate samples into your mix using Digidesign® Structure™, build new rhythm tracks, and quantize them to perfection.
Part 3: Working with REX Files — Using Structure, find out how to audition and load REX files and create your own unique instrument from multiple files.
Part 4: Adding Bass and Pad — Add the bottom end and some texture to the mix by learning how to use Hybrid™ to lay down bass parts and a synthesizer pad.
Part 5: Creating a Vocal Stutter — Learn to add character to a vocal line by creating a stutter using Structure and a bit of editing finesse.
Part 6: Developing Backing Vocals — To support the vocal track, find out how to easily develop backing vocal parts using Structure.
Part 7: Adding Electric Pianos — Explore more creative avenues by learning how to add a new electric piano part using Velvet™, plus see how to use Pro Tools for real-time editing on the fly.
Part 8: Creating Arpeggios — Using Xpand!, find out how to create a three-part arpeggiated patch using synths and a string pad, and then extend the loops to generate the parts.
Part 9: Tuning the Vocals — Find out how to make an existing vocal track work with your remix by retuning the vocal using the Time Shift plug-in.
Part 10: Adding the Final Touches — Fine-tune your mix by learning how to un-group a region group, add new parts, and quantize sections.
Are You Ready for bigining? Into here
Pro Tools
1.-Pro Tools|HD Systems
Digidesign® Pro Tools|HD® systems are the most powerful, flexible, and in-demand digital audio workstations (DAWs) available. More music and post production professionals around the world use Pro Tools systems for their work than any other solution. Pro Tools|HD systems deliver the unparalleled sound quality, processing power, and flexibility, which artists, engineers, and producers rely on to create countless award-winning albums and films.
Products:
--- Pro Tools|HD 1 Systems
--- Pro Tools|HD 2 Accel Systems
--- Pro Tools|HD 3 Accel Systems
--- Expanded Pro Tools|HD Accel Systems
Pro Tools LE and M-Powered Systems
Pro Tools LE™ and Pro Tools M-Powered™ personal studio systems offer everything you need to create music affordably with professional results. These systems range from mixing interfaces that sit at the center of your project studio to unique hybrid instrument interfaces and portable setups small enough to fit in your pocket.
2.-003 Family
If you’re looking to attain the same high audio production quality as commercial facilities in your own personal or project studio, the Digidesign® 003™ family enables you to do just that with truly professional results. With an extensive range of audio and MIDI I/O, high-definition audio resolution, industry-standard Pro Tools® software, FireWire connectivity, and an unprecedented bundle of powerful software, the 003 family provides everything you need to compose, perform, record, sequence, edit, mix, master, and promote your creations.
Products:
--- 003 Factory
--- 003 Rack
--- 003 Rack Factory
3.-Mbox 2 Family
Say hello to the most affordable Pro Tools LE systems from Digidesign: Meet the Mbox 2 family. Characterized by their totally portable designs, diverse yet flexible feature sets, and ultra-affordable prices, the Mbox 2, Mbox 2 Pro, and Mbox 2 Mini each offer professional features to complement your recording and mixing needs in a studio that easily fits into your backpack. And because the entire Mbox 2 family includes award-winning, industry-standard Pro Tools software, everything you create with an Mbox 2 family member can be used in professional, Pro Tools-equipped music and post-production studios around the world.
Products:
--- Mbox 2 Pro
--- Mbox 2 Pro Factory
--- Mbox 2
--- Mbox 2 Factory
--- Mbox 2 Mini
Digidesign® Pro Tools|HD® systems are the most powerful, flexible, and in-demand digital audio workstations (DAWs) available. More music and post production professionals around the world use Pro Tools systems for their work than any other solution. Pro Tools|HD systems deliver the unparalleled sound quality, processing power, and flexibility, which artists, engineers, and producers rely on to create countless award-winning albums and films.
Products:
--- Pro Tools|HD 1 Systems
--- Pro Tools|HD 2 Accel Systems
--- Pro Tools|HD 3 Accel Systems
--- Expanded Pro Tools|HD Accel Systems
Pro Tools LE and M-Powered Systems
Pro Tools LE™ and Pro Tools M-Powered™ personal studio systems offer everything you need to create music affordably with professional results. These systems range from mixing interfaces that sit at the center of your project studio to unique hybrid instrument interfaces and portable setups small enough to fit in your pocket.
2.-003 Family
If you’re looking to attain the same high audio production quality as commercial facilities in your own personal or project studio, the Digidesign® 003™ family enables you to do just that with truly professional results. With an extensive range of audio and MIDI I/O, high-definition audio resolution, industry-standard Pro Tools® software, FireWire connectivity, and an unprecedented bundle of powerful software, the 003 family provides everything you need to compose, perform, record, sequence, edit, mix, master, and promote your creations.
Products:
--- 003 Factory
--- 003 Rack
--- 003 Rack Factory
3.-Mbox 2 Family
Say hello to the most affordable Pro Tools LE systems from Digidesign: Meet the Mbox 2 family. Characterized by their totally portable designs, diverse yet flexible feature sets, and ultra-affordable prices, the Mbox 2, Mbox 2 Pro, and Mbox 2 Mini each offer professional features to complement your recording and mixing needs in a studio that easily fits into your backpack. And because the entire Mbox 2 family includes award-winning, industry-standard Pro Tools software, everything you create with an Mbox 2 family member can be used in professional, Pro Tools-equipped music and post-production studios around the world.
Products:
--- Mbox 2 Pro
--- Mbox 2 Pro Factory
--- Mbox 2
--- Mbox 2 Factory
--- Mbox 2 Mini
Steinberg and Virtual Katy announce Nuendo compatibility for VK reconforming solutions
Industry-leading reconforming products with seamless integration into Nuendo from Q3 2007
Hamburg/Los Angeles/London, July 5 2007 – Steinberg Media Technologies GmbH and Virtual Katy Development Limited are pleased to announce that the world-renowned range of Virtual Katy audio post reconforming products will be available as Nuendo-compatible versions from Q3, 2007.
“This exciting development will allow the growing Nuendo audio post community to use one of the world’s leading reconforming solutions, commented Lars Baumann, Steinberg’s Senior Product Manager for Nuendo. “Our ongoing commitment to offer exceptional levels of post-specific functionality is unwavering, and continues to drive vital aspects of Nuendo development moving forward to the next Nuendo 4 version,” he adds.
“We’re very pleased to be able to offer Nuendo compatibility for our VK tools such as VK Conform, VK CNA and VK Compare as well as the VK Premium toolkit later this year,” explains Virtual Katy CEO and founder John McKay. “We’ve received tremendous support from Steinberg that has enabled us to integrate directly into Nuendo so that the resulting reconforming process is extraordinarily quick and smooth,” he added.
The compatibility announced today is the result of ongoing and in-depth technological cooperation between Steinberg’s Nuendo development team and Virtual Katy engineers. Virtual Katy uses a specially designed interface module called Steinberg Kernel Interface (SKI) to connect directly into the Nuendo software core, executing conforming tasks practically from within the program itself. This system allows a speed and smoothness of operation with Virtual Katy in Nuendo not achievable with other DAW applications.
More information about Virtual Katy reconforming and project management products can be found at www.virtualkaty.com.
Hamburg/Los Angeles/London, July 5 2007 – Steinberg Media Technologies GmbH and Virtual Katy Development Limited are pleased to announce that the world-renowned range of Virtual Katy audio post reconforming products will be available as Nuendo-compatible versions from Q3, 2007.
“This exciting development will allow the growing Nuendo audio post community to use one of the world’s leading reconforming solutions, commented Lars Baumann, Steinberg’s Senior Product Manager for Nuendo. “Our ongoing commitment to offer exceptional levels of post-specific functionality is unwavering, and continues to drive vital aspects of Nuendo development moving forward to the next Nuendo 4 version,” he adds.
“We’re very pleased to be able to offer Nuendo compatibility for our VK tools such as VK Conform, VK CNA and VK Compare as well as the VK Premium toolkit later this year,” explains Virtual Katy CEO and founder John McKay. “We’ve received tremendous support from Steinberg that has enabled us to integrate directly into Nuendo so that the resulting reconforming process is extraordinarily quick and smooth,” he added.
The compatibility announced today is the result of ongoing and in-depth technological cooperation between Steinberg’s Nuendo development team and Virtual Katy engineers. Virtual Katy uses a specially designed interface module called Steinberg Kernel Interface (SKI) to connect directly into the Nuendo software core, executing conforming tasks practically from within the program itself. This system allows a speed and smoothness of operation with Virtual Katy in Nuendo not achievable with other DAW applications.
More information about Virtual Katy reconforming and project management products can be found at www.virtualkaty.com.
Steinberg
The Steinberg Story
1983
The MIDI standard was still new and computer technology was still in its infancy when Manfred Rürup and Karl “Charlie” Steinberg meet each other at a recording session for a German rock band. Rürup, a professional keyboard player, and Steinberg, an audio engineer, quickly realize that they have a common interest: the possibilities of computers in music production. Both see a huge potential for the then emerging technologies and begin developing the concept for a revolutionary piece of software: the first “MIDI Multitrack Sequencer”.
1984
The two founders start to turn their dream into a reality, spurred on by their passion and idealism. Armed with a Commodore 64 and a self-buil MIDI interface, Charlie Steinberg develops a multitrack sequencer. Meanwhile, Manfred Rürup begins using the new program and starts to win over ever more musicians to the possibilities of this emerging new technology. In the same year, Rürup and Steinberg found Steinberg Redearch GmbH and release the Pro-16, the first software product to carry the Steinberg name.
1986
With the advent of the Atari ST, a home computer becomes available that offers both a graphical user interface and a built-in MIDI interface. Using this new computer as a basis, a new software product is born: the Pro-24. The new software offers a range of, for the time, staggering new features: 24 MIDI tracks, professional scoring, quantization (automatic timing correction for “loosely” played notes) and editing for MIDI parameters like Velocity.
1987
The company is re-christened Steinberg Soft- und Hardware GmbH, a name that is to become synonymous with innovation ad creativity over the coming years.
1989
Following on from several years of intense research and development, a new product arrives that will define a musical generation. Cubase 1.0 is significantly more powerful than its predecessors, with new technologies allowing a drastically improved graphical display for musical information and a much-simplified, intuitive new way of using the exciting possibilities of the software. This first version established Cubase as the often copied but never equaled standard for user-friendliness.
1990
Cubase becomes available for the highly popular Apple Macintosh, establishing a Steinberg ethos of cross-platform compatibility that remains to this day.
1991
Cubase Audio represents a new milestone in the development of computer-based music production. Audio data can now be recorded directly into the computer. With this development, computers become a real alternative to analog tape machines.
1992
Cubase for Windows completes the Steinberg product family, and Cubase becomes the first sequencer to be available on all three of the important computer platforms simultaneously.
1994
With the aid of special DSP cards, it becomes possible to compute digital audio effects on a standard computer. Steinberg founds the Spectral Design GmbH company to develop plug-in effects.
1995
Steinberg releases WaveLab. This powerful and intuitive audio editor for PC quickly becomes the standard application for many audio editing and mastering professionals.
1996
This year sees a development that can only be described as revolutionary. Virtual Studio Technology (VST) is incorporated into Cubase, with Cubase VST becoming the first native software to incorporate this real-time studio environment including EQs, effects, mixing and automation. Using an Apple Macintosh, 24 audio tracks can be played simultaneously with an unlimited number of MIDI tracks.
1997
Cubase VST is introduced for PC. VST and ASIO are released as open standards that allow third party manufacturers to develop plug-ins and audio hardware, marking the beginning of a long-term commitment by Steinberg to open platforms and technologies.
1999
As a market leader in the development of professional music software, Steinberg enters the consumer market. The new product “creative tools” line allows just about anyone to enjoy music in a creative way. Version 2.0 of the VST standard marks the second phase of the VST revolution with the advent of virtual instrument plug-ins for the VST environment. ASIO 2.0 and remote control allow even better integration of hardware and software.
2000
Steinberg’s Nuendo digital audio workstation enriches the pro audio market by introducing a new paradigm. Using completely native technologies, scalability and flexibility are united with peerless audio and surround features within one application: Nuendo. Steinberg Soft- und Hardware GmbH is renamed Steinberg Media Technologies AG.
2001
Steinberg presents HALion, the first integrated virtual sampler, at the NAMM show in Anaheim California. Steinberg also releases the Houston remote controller. In December, The Grand is released, a virtual concert grand piano incorporating an intelligent VST-based audio engine; the new product sets standards in sound quality and playability.
2002
Steinberg presents a pioneering new technology: VST System Link. The new technology allows the intelligent networking and sample-accurate synchronization of audio computer systems, and restates Steinberg’s technological lead in professional audio applications. Cubase SX and Cubase SL, the new versions of Steinberg’s leading music production application are presented in the Spring of this year. Other new products in 2002 include Warp VST, a virtual guitar amp plug-in and a new 4.0 version of WaveLab.
2003
Steinberg announces its acquisition by Pinnacle Systems in January 2003. Steinberg continues to develop professional solutions for audio and music production as an independent business unit, “The Audio Group of Pinnacle Systems”. New products are announced at the Musikmesse in Frankfurt, Germany, including the innovative new Xphraze phrase synthesizer, HALion 2.0 as well as the Groove Agent virtual drummer. Cubase SX2 and Nuendo 2.0 mark two new milestones in the development of these award-winning products.
2004
Steinberg launches the Steinberg Media Solutions product line with the introduction of Cubase System|4 at the beginning of 2004, which is extended by the release of Cubase System|2 in the spring of the same year. Steinberg celebrates its 20th anniversary at the Frankfurt Musikmesse; at the prestigious mipa awards hosted at Musikmesse, Steinberg receives a record six awards. Wavelab 5, HALion 3, Cubase SX3, Nuendo 3 and the Nuendo DTS Encoder are all released in 2004.
2005
Although already announced at the end of 2004, Yamaha closes the acquisition of Steinberg from Pinnacle Systems in January 2005. From 21st January, Steinberg is an independent company within the Yamaha group. Kaz Kobayashi becomes Managing Director, and a new phase of co-operation and co-development between Yamaha and Steinberg begins…
2006
Steinberg publishes a new generation of Cubase. Cubase 4 and Cubase Studio 4 offer exciting new technologies, and represent the first products worldwide to offer the latest VST3 technology.
2007
Steinberg presents a new member of the family at Frankfurt Musikmesse 2007: Sequel. The new entry-level software provides easy-to-use Steinberg audio technology to new customers who have no experience of music production using a computer. Cubase 4 wins two important awards at Musikmesse 2007.
1983
The MIDI standard was still new and computer technology was still in its infancy when Manfred Rürup and Karl “Charlie” Steinberg meet each other at a recording session for a German rock band. Rürup, a professional keyboard player, and Steinberg, an audio engineer, quickly realize that they have a common interest: the possibilities of computers in music production. Both see a huge potential for the then emerging technologies and begin developing the concept for a revolutionary piece of software: the first “MIDI Multitrack Sequencer”.
1984
The two founders start to turn their dream into a reality, spurred on by their passion and idealism. Armed with a Commodore 64 and a self-buil MIDI interface, Charlie Steinberg develops a multitrack sequencer. Meanwhile, Manfred Rürup begins using the new program and starts to win over ever more musicians to the possibilities of this emerging new technology. In the same year, Rürup and Steinberg found Steinberg Redearch GmbH and release the Pro-16, the first software product to carry the Steinberg name.
1986
With the advent of the Atari ST, a home computer becomes available that offers both a graphical user interface and a built-in MIDI interface. Using this new computer as a basis, a new software product is born: the Pro-24. The new software offers a range of, for the time, staggering new features: 24 MIDI tracks, professional scoring, quantization (automatic timing correction for “loosely” played notes) and editing for MIDI parameters like Velocity.
1987
The company is re-christened Steinberg Soft- und Hardware GmbH, a name that is to become synonymous with innovation ad creativity over the coming years.
1989
Following on from several years of intense research and development, a new product arrives that will define a musical generation. Cubase 1.0 is significantly more powerful than its predecessors, with new technologies allowing a drastically improved graphical display for musical information and a much-simplified, intuitive new way of using the exciting possibilities of the software. This first version established Cubase as the often copied but never equaled standard for user-friendliness.
1990
Cubase becomes available for the highly popular Apple Macintosh, establishing a Steinberg ethos of cross-platform compatibility that remains to this day.
1991
Cubase Audio represents a new milestone in the development of computer-based music production. Audio data can now be recorded directly into the computer. With this development, computers become a real alternative to analog tape machines.
1992
Cubase for Windows completes the Steinberg product family, and Cubase becomes the first sequencer to be available on all three of the important computer platforms simultaneously.
1994
With the aid of special DSP cards, it becomes possible to compute digital audio effects on a standard computer. Steinberg founds the Spectral Design GmbH company to develop plug-in effects.
1995
Steinberg releases WaveLab. This powerful and intuitive audio editor for PC quickly becomes the standard application for many audio editing and mastering professionals.
1996
This year sees a development that can only be described as revolutionary. Virtual Studio Technology (VST) is incorporated into Cubase, with Cubase VST becoming the first native software to incorporate this real-time studio environment including EQs, effects, mixing and automation. Using an Apple Macintosh, 24 audio tracks can be played simultaneously with an unlimited number of MIDI tracks.
1997
Cubase VST is introduced for PC. VST and ASIO are released as open standards that allow third party manufacturers to develop plug-ins and audio hardware, marking the beginning of a long-term commitment by Steinberg to open platforms and technologies.
1999
As a market leader in the development of professional music software, Steinberg enters the consumer market. The new product “creative tools” line allows just about anyone to enjoy music in a creative way. Version 2.0 of the VST standard marks the second phase of the VST revolution with the advent of virtual instrument plug-ins for the VST environment. ASIO 2.0 and remote control allow even better integration of hardware and software.
2000
Steinberg’s Nuendo digital audio workstation enriches the pro audio market by introducing a new paradigm. Using completely native technologies, scalability and flexibility are united with peerless audio and surround features within one application: Nuendo. Steinberg Soft- und Hardware GmbH is renamed Steinberg Media Technologies AG.
2001
Steinberg presents HALion, the first integrated virtual sampler, at the NAMM show in Anaheim California. Steinberg also releases the Houston remote controller. In December, The Grand is released, a virtual concert grand piano incorporating an intelligent VST-based audio engine; the new product sets standards in sound quality and playability.
2002
Steinberg presents a pioneering new technology: VST System Link. The new technology allows the intelligent networking and sample-accurate synchronization of audio computer systems, and restates Steinberg’s technological lead in professional audio applications. Cubase SX and Cubase SL, the new versions of Steinberg’s leading music production application are presented in the Spring of this year. Other new products in 2002 include Warp VST, a virtual guitar amp plug-in and a new 4.0 version of WaveLab.
2003
Steinberg announces its acquisition by Pinnacle Systems in January 2003. Steinberg continues to develop professional solutions for audio and music production as an independent business unit, “The Audio Group of Pinnacle Systems”. New products are announced at the Musikmesse in Frankfurt, Germany, including the innovative new Xphraze phrase synthesizer, HALion 2.0 as well as the Groove Agent virtual drummer. Cubase SX2 and Nuendo 2.0 mark two new milestones in the development of these award-winning products.
2004
Steinberg launches the Steinberg Media Solutions product line with the introduction of Cubase System|4 at the beginning of 2004, which is extended by the release of Cubase System|2 in the spring of the same year. Steinberg celebrates its 20th anniversary at the Frankfurt Musikmesse; at the prestigious mipa awards hosted at Musikmesse, Steinberg receives a record six awards. Wavelab 5, HALion 3, Cubase SX3, Nuendo 3 and the Nuendo DTS Encoder are all released in 2004.
2005
Although already announced at the end of 2004, Yamaha closes the acquisition of Steinberg from Pinnacle Systems in January 2005. From 21st January, Steinberg is an independent company within the Yamaha group. Kaz Kobayashi becomes Managing Director, and a new phase of co-operation and co-development between Yamaha and Steinberg begins…
2006
Steinberg publishes a new generation of Cubase. Cubase 4 and Cubase Studio 4 offer exciting new technologies, and represent the first products worldwide to offer the latest VST3 technology.
2007
Steinberg presents a new member of the family at Frankfurt Musikmesse 2007: Sequel. The new entry-level software provides easy-to-use Steinberg audio technology to new customers who have no experience of music production using a computer. Cubase 4 wins two important awards at Musikmesse 2007.
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